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Paris","hall":"","sm":"art/paintings/raft-of-the-medusa-480-476729a473.webp","full":"/assets/glacierpost/art/paintings/raft-of-the-medusa-1920-52fb6968fe.webp","credit":"Musée du Louvre, Paris / Wikimedia Commons · Public Domain","page":"https://collections.louvre.fr/ark:/53355/cl010059199","pos":"55% 45%","why":"取材于 1816 年的真实海上事件，第一次把普通人画成历史画尺寸的主角。","echo":"整幅构图从筏底一路向上，汇到最高处那块挥动的布：方向感本身就是力量。","set":"grand"},{"id":"liberty-leading","zh":"自由引导人民","line":"Eugène Delacroix · Liberty Leading the People · 1830 · Musée du Louvre, Paris","hall":"","sm":"art/paintings/liberty-leading-480-1a9627f37d.webp","full":"/assets/glacierpost/art/paintings/liberty-leading-1920-0e0ed6cea9.webp","credit":"Musée du Louvre, Paris / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:La_Libert%C3%A9_guidant_le_peuple_-_Eug%C3%A8ne_Delacroix_-_Mus%C3%A9e_du_Louvre_Peintures_RF_129_-_apr%C3%A8s_restauration_2024.jpg","pos":"50% 35%","why":"1830 年七月的巴黎街头，一个时代的转折被画成一个人向前迈出的一步。","echo":"举旗的人回头看身后的人：带队不只是跑在最前面，也要让后面的人跟得上。","set":"grand"},{"id":"night-watch","zh":"夜巡","line":"Rembrandt van Rijn · The Night Watch · 1642 · Rijksmuseum, Amsterdam","hall":"","sm":"art/paintings/night-watch-480-16a1090793.webp","full":"/assets/glacierpost/art/paintings/night-watch-1920-55633b879c.webp","credit":"Rijksmuseum, Amsterdam / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:La_ronda_de_noche,_por_Rembrandt_van_Rijn.jpg","pos":"50% 50%","why":"一张民兵连的集体肖像，被画成队伍正在出发的瞬间，光从人群中间打出一条路。","echo":"合影也可以有动作：每个人都朝同一个方向动起来，才是一支队伍。","set":"grand"},{"id":"las-meninas","zh":"宫娥","line":"Diego Velázquez · Las Meninas · 1656 · Museo del Prado, Madrid","hall":"","sm":"art/paintings/las-meninas-480-638968d52e.webp","full":"/assets/glacierpost/art/paintings/las-meninas-1920-0604421776.webp","credit":"Museo del Prado, Madrid / Wikimedia Commons · Public 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M. W. Turner · Rain, Steam and Speed – The Great Western Railway · 1844 · The National Gallery, London","hall":"","sm":"art/paintings/rain-steam-speed-480-1d9abb898c.webp","full":"/assets/glacierpost/art/paintings/rain-steam-speed-1920-2515fe60b8.webp","credit":"The National Gallery, London / Wikimedia Commons · Public Domain","page":"https://www.nationalgallery.org.uk/paintings/joseph-mallord-william-turner-rain-steam-and-speed-the-great-western-railway","pos":"60% 55%","why":"最早把火车当作风景主角的名画之一，工业时代的速度从雨雾里扑面而来。","echo":"新技术刚出现时，往往只是一团看不清的光和雾；透纳先把它画了下来。","set":"grand"},{"id":"coronation-napoleon","zh":"拿破仑加冕","line":"Jacques-Louis David · The Coronation of Napoleon · 1805–1807 · Musée du Louvre, Paris","hall":"","sm":"art/paintings/coronation-napoleon-480-1f8dd4a411.webp","full":"/assets/glacierpost/art/paintings/coronation-napoleon-1920-43c918c79e.webp","credit":"Musée du Louvre, Paris / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:Jacques-Louis_David_-_The_Coronation_of_Napoleon_(1805-1807).jpg","pos":"55% 50%","why":"近十米宽的画布上，一百多位真实人物同场，记录一个时代的开场仪式。","echo":"每个人站在哪里都经过安排：宏大的场面背后，是一张极细的组织图。","set":"grand"},{"id":"last-supper","zh":"最后的晚餐","line":"Leonardo da Vinci · The Last Supper · 1495–1498 · Santa Maria delle Grazie, Milan","hall":"","sm":"art/paintings/last-supper-480-1a9ed00a86.webp","full":"/assets/glacierpost/art/paintings/last-supper-1920-3cdbc412da.webp","credit":"Santa Maria delle Grazie, Milan / Wikimedia Commons · Public Domain","page":"https://cenacolovinciano.org/en/","pos":"50% 50%","why":"所有透视线收向画面正中，一句话说出口之后，十三个人的反应被定格在同一刻。","echo":"一点透视是那个时代的新方法：科学第一次这样彻底地为叙事服务。","set":"grand"},{"id":"creation-of-adam","zh":"创造亚当","line":"Michelangelo Buonarroti · The Creation of Adam · c.1508–1512 · Sistine Chapel, Vatican Museums","hall":"","sm":"art/paintings/creation-of-adam-480-606b6b1567.webp","full":"/assets/glacierpost/art/paintings/creation-of-adam-1920-722a57ee5f.webp","credit":"Sistine Chapel, Vatican Museums / Wikimedia Commons · Public Domain","page":"https://www.museivaticani.va/content/museivaticani/en/collezioni/musei/cappella-sistina.html","pos":"50% 50%","why":"两根手指之间那一道还没碰上的空隙，成了人类最有名的「开始」。","echo":"最要紧的常常是还差一点的那段距离：火花在接通之前就已经在了。","set":"grand"},{"id":"qingming-scroll","zh":"清明上河图","line":"Zhang Zeduan · Along the River During the Qingming Festival · 12th century (Northern Song) · The Palace Museum, Beijing","hall":"","sm":"art/paintings/qingming-scroll-480-d3c8f56eed.webp","full":"/assets/glacierpost/art/paintings/qingming-scroll-1920-c4e3408df1.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:Alongtheriver_QingMing.jpg","why":"五米多的长卷里有八百多个人物、二十多条船，一座汴京城的日常经济尽收眼底。","echo":"虹桥下那条大船过桥洞，桥上船上人人都在出力：一座城的繁华，是无数次小协作。","set":"grand","scroll":"/assets/glacierpost/art/paintings/qingming-scroll-scroll-720-799878fad3.webp","scrollH":720,"scrollW":14705},{"id":"fuchun-mountains","zh":"富春山居图（无用师卷）","line":"Huang Gongwang · Dwelling in the Fuchun Mountains (Master Wuyong Scroll) · 1347–1350 · National Palace Museum, Taipei","hall":"","sm":"art/paintings/fuchun-mountains-480-95a33ec7d7.webp","full":"/assets/glacierpost/art/paintings/fuchun-mountains-1920-ed46e99500.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:%E5%AF%8C%E6%98%A5%E5%B1%B1%E5%B1%85%E5%9C%96(%E7%84%A1%E7%94%A8%E5%B8%AB%E5%8D%B7).jpg","why":"年近八十的黄公望用三四年画完六米多的富春江山水；前段《剩山图》藏浙江省博物馆，两段 2011 年曾在台北合璧展出。","echo":"一幅画画几年，越到后段越从容：长期主义也可以很轻松。","set":"grand","scroll":"/assets/glacierpost/art/paintings/fuchun-mountains-scroll-720-aa0360f591.webp","scrollH":720,"scrollW":12126},{"id":"fan-kuan-travelers","zh":"溪山行旅图","line":"Fan Kuan · Travelers Among Mountains and Streams · c.1000 (Northern Song) · National Palace Museum, Taipei","hall":"","sm":"art/paintings/fan-kuan-travelers-480-9d644be03c.webp","full":"/assets/glacierpost/art/paintings/fan-kuan-travelers-1920-047b7911de.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:Fan_Kuan_-_Travelers_Among_Mountains_and_Streams_-_Google_Art_Project.jpg","pos":"50% 30%","why":"一座主峰占去画面三分之二，山下行旅小如蚂蚁，北宋全景山水的高峰。","echo":"范宽的签名藏在右下树丛里，九百多年后才被人找到：好作品不靠署名大小说话。","set":"grand"},{"id":"han-xizai-revels","zh":"韩熙载夜宴图（宋摹本）","line":"attr. Gu Hongzhong · The Night Revels of Han Xizai (Song copy) · original 10th century; Song copy · The Palace Museum, Beijing","hall":"","sm":"art/paintings/han-xizai-revels-480-287a19fc1d.webp","full":"/assets/glacierpost/art/paintings/han-xizai-revels-1920-876f9ab690.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:%E9%9F%A9%E7%86%99%E8%BD%BD%E5%A4%9C%E5%AE%B4%E5%9B%BE.tif","why":"五段场景用屏风隔开、连成一卷，像一部一千年前的分镜剧本。","echo":"屏风就是转场：多场景叙事的难题，一千年前就在一张画上解决了。","set":"grand","scroll":"/assets/glacierpost/art/paintings/han-xizai-revels-scroll-720-cf9b2d62c1.webp","scrollH":720,"scrollW":12405},{"id":"bunian-tu","zh":"步辇图（宋摹本）","line":"attr. Yan Liben · Emperor Taizong Receiving the Tibetan Envoy (Song copy) · original 7th century; Song copy · The Palace Museum, Beijing","hall":"","sm":"art/paintings/bunian-tu-480-628bdf0c81.webp","full":"/assets/glacierpost/art/paintings/bunian-tu-1920-ff96d4c82e.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:Yan_Liben._Emperor_Taizong_gives_an_audience_to_Gar,_the_ambassador_of_Tibet._Palace_Museum,_Beijing.jpg","pos":"50% 50%","why":"记录贞观十五年唐太宗接见吐蕃使者禄东赞，这次会面促成了文成公主入藏。","echo":"两种文明第一次坐下来谈，被画成了最早的「谈判现场」纪实。","set":"grand"},{"id":"impression-sunrise","zh":"印象·日出","line":"Claude Monet · Impression, Sunrise · 1872 · Musée Marmottan Monet, Paris","hall":"","sm":"art/paintings/impression-sunrise-480-16694151df.webp","full":"/assets/glacierpost/art/paintings/impression-sunrise-1920-5b4d34d5dd.webp","credit":"Musée Marmottan Monet, Paris / Wikimedia Commons · Public Domain","page":"https://www.marmottan.fr/notice/4014/","pos":"40% 50%"},{"id":"parasol","zh":"撑阳伞的女人（莫奈夫人和她的儿子）","line":"Claude Monet · Woman with a Parasol – Madame Monet and Her Son · 1875 · National Gallery of Art, Washington","hall":"","sm":"art/paintings/parasol-480-721b398f96.webp","full":"/assets/glacierpost/art/paintings/parasol-1920-59f26f9fb5.webp","credit":"National Gallery of Art, Washington / Wikimedia Commons · Public Domain","page":"https://www.nga.gov/artworks/61379-woman-parasol-madame-monet-and-her-son","pos":"50% 25%","win":"sq"},{"id":"japanese-footbridge","zh":"日本桥","line":"Claude Monet · The Japanese Footbridge · 1899 · National Gallery of Art, Washington","hall":"","sm":"art/paintings/japanese-footbridge-480-dba69cc9ab.webp","full":"/assets/glacierpost/art/paintings/japanese-footbridge-1600-58c1369368.webp","credit":"National Gallery of Art, Washington / Wikimedia Commons · Public Domain","page":"https://www.nga.gov/artworks/74796-japanese-footbridge","pos":"50% 35%"},{"id":"poppies","zh":"罂粟花田","line":"Claude Monet · Poppies (Wild Poppies, near Argenteuil) · 1873 · Musée d'Orsay, Paris","hall":"","sm":"art/paintings/poppies-480-9d246c7f6c.webp","full":"/assets/glacierpost/art/paintings/poppies-1920-9efe757cec.webp","credit":"Musée d'Orsay, Paris / Wikimedia Commons · Public Domain","page":"https://www.musee-orsay.fr/fr/oeuvres/coquelicots-1010","pos":"45% 62%"},{"id":"magpie","zh":"喜鹊","line":"Claude Monet · The Magpie · 1868–1869 · Musée d'Orsay, Paris","hall":"","sm":"art/paintings/magpie-480-88d59ccae0.webp","full":"/assets/glacierpost/art/paintings/magpie-1920-1a11b976fe.webp","credit":"Musée d'Orsay, Paris / Wikimedia Commons · Public Domain","page":"https://www.musee-orsay.fr/fr/oeuvres/la-pie-715","pos":"30% 50%"},{"id":"almond-blossom","zh":"盛开的杏花","line":"Vincent van Gogh · Almond Blossom · 1890 · Van Gogh Museum, Amsterdam","hall":"","sm":"art/paintings/almond-blossom-480-0177a3275e.webp","full":"/assets/glacierpost/art/paintings/almond-blossom-1920-c1cc87fa48.webp","credit":"Van Gogh Museum, Amsterdam / Wikimedia Commons · Public Domain","page":"https://www.vangoghmuseum.nl/en/collection/s0176V1962"},{"id":"wheat-cypresses","zh":"有柏树的麦田","line":"Vincent van Gogh · Wheat Field with Cypresses · 1889 · The Metropolitan Museum of Art, New York","hall":"","sm":"art/paintings/wheat-cypresses-480-f2ad28932f.webp","full":"/assets/glacierpost/art/paintings/wheat-cypresses-1920-2ef0ac82f5.webp","credit":"The Metropolitan Museum of Art, New York / Wikimedia Commons · Public Domain","page":"https://www.metmuseum.org/art/collection/search/436535","pos":"60% 50%"},{"id":"irises","zh":"鸢尾花","line":"Vincent van Gogh · Irises · 1889 · J. Paul Getty Museum, Los Angeles","hall":"","sm":"art/paintings/irises-480-46bc2ec668.webp","full":"/assets/glacierpost/art/paintings/irises-1600-ba737904a4.webp","credit":"J. 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35%"},{"id":"five-oxen","zh":"五牛图（局部）","line":"Han Huang · Five Oxen (detail) · 8th century (Tang) · The Palace Museum, Beijing","hall":"","sm":"art/paintings/five-oxen-480-a47cdc28a8.webp","full":"/assets/glacierpost/art/paintings/five-oxen-1920-0bf593938e.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://www.dpm.org.cn/collection/paint/234599.html","pos":"90% 50%"},{"id":"lotus","zh":"出水芙蓉图","line":"Anonymous (Song dynasty) · Lotus Rising from the Water · 12th–13th century (Song) · The Palace Museum, Beijing","hall":"","sm":"art/paintings/lotus-480-1758934076.webp","full":"/assets/glacierpost/art/paintings/lotus-1920-174e78fc71.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://www.dpm.org.cn/collection/paint/229940.html"},{"id":"flower-basket","zh":"花篮图","line":"Li Song · Flower Basket · c.1190–1230 (Southern Song) · The Palace Museum, 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年）暮春，朋友们在会稽山阴的兰亭相聚，行修禊之礼。","why":"「天下第一行书」：一场山水雅集的序言，从眼前的曲水流觞，一路写到古今和人生。","echo":"全篇二十一个「之」字，没有一个写法相同：同一件事做很多遍，每一遍都可以更好。","sm":"art/calligraphy/lanting-xu-480-7357781c54.webp","sm1080":"/assets/glacierpost/art/calligraphy/lanting-xu-1080-f24c7241df.webp","full":"/assets/glacierpost/art/calligraphy/lanting-xu-1920-c812a640d7.webp","credit":"The Palace Museum, Beijing / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:LantingXu.jpg","scroll":"/assets/glacierpost/art/calligraphy/lanting-xu-scroll-720-9626c5a224.webp","scrollH":720,"scrollW":15812},{"id":"jizhi-wengao","region":"cn","zh":"祭侄文稿","en":"Draft of a Requiem to My Nephew","artist":"颜真卿","life":"709–785","date":"758","script":"行书","med":"纸本墨书 · 行书","dim":"28.3 × 75.5 厘米","coll":"台北故宫博物院","inv":"","text":"维乾元元年，岁次戊戌，九月庚午朔，三日壬申……","read":"Wéi Qiányuán yuán nián, suì cì wùxū, jiǔ yuè gēngwǔ shuò, sān rì rénshēn……","gloss":"乾元元年（758 年）九月初三，颜真卿为侄子颜季明写下的祭文草稿。","why":"「天下第二行书」：一篇草稿写下一个家族在大时代里的忠义，字随心绪起伏，一气写成。","echo":"涂改和圈点都原样留在纸上：真实的过程，本身就有力量。","sm":"art/calligraphy/jizhi-wengao-480-db07997b8c.webp","sm1080":"/assets/glacierpost/art/calligraphy/jizhi-wengao-1080-bf93663f0f.webp","full":"/assets/glacierpost/art/calligraphy/jizhi-wengao-1920-0691f6864d.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:%E7%A5%AD%E4%BE%84%E6%96%87%E7%A8%BF%E5%8D%B7.%E5%94%90.%E9%A1%8F%E7%9C%9F%E5%8D%BF.%E7%BA%B8%E6%9C%AC%E8%A1%8C%E4%B9%A6.%E5%8F%B0%E5%8C%97%E6%95%85%E5%AE%AB%E5%8D%9A%E7%89%A9%E9%99%A2%E8%97%8F_(cropped).tif"},{"id":"hanshi-tie","region":"cn","zh":"黄州寒食诗帖","en":"Poems Written on the Cold Food Festival at Huangzhou","artist":"苏轼","life":"1037–1101","date":"1082","script":"行书","med":"纸本墨书 · 行书","dim":"34.2 × 199.5 厘米","coll":"台北故宫博物院","inv":"購書001001","text":"自我来黄州，已过三寒食。年年欲惜春，春去不容惜。","read":"Zì wǒ lái Huángzhōu, yǐ guò sān hánshí. Niánnián yù xī chūn, chūn qù bù róng xī.","gloss":"自从来到黄州，已经过了三个寒食节。年年都想留住春天，春天却不等人。","why":"「天下第三行书」：苏轼在黄州第三年写下两首诗，卷后接着黄庭坚的题跋，两位大家同卷。","echo":"字越写越大、越写越放开：低处写出的，反而是一生的代表作。","sm":"art/calligraphy/hanshi-tie-480-7a3b8b1ee7.webp","sm1080":"/assets/glacierpost/art/calligraphy/hanshi-tie-1080-59fac815d1.webp","full":"/assets/glacierpost/art/calligraphy/hanshi-tie-1920-f4e356a8b3.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · Public Domain","page":"https://commons.wikimedia.org/wiki/File:%E5%AF%92%E9%A3%9F%E5%B8%96.jpg","scroll":"/assets/glacierpost/art/calligraphy/hanshi-tie-scroll-720-4a3bfa0d01.webp","scrollH":720,"scrollW":13953},{"id":"zixu-tie","region":"cn","zh":"自叙帖","en":"Autobiographical Essay","artist":"怀素","life":"737–？","date":"777","script":"草书","med":"纸本墨书 · 草书","dim":"28.3 × 755 厘米","coll":"台北故宫博物院","inv":"故書000062","text":"怀素家长沙，幼而事佛，经禅之暇，颇好笔翰。","read":"Huáisù jiā Chángshā, yòu ér shì Fó, jīng chán zhī xiá, pō hào bǐhàn.","gloss":"怀素是长沙人，自幼出家，修行之余很喜欢写字。","why":"七米多的长卷一气呵成，被视为唐代狂草的高峰；台北故宫本的真伪，学界至今仍在讨论。","echo":"满纸飞动的线条背后，是相传写秃后堆成「笔冢」的成千上万支笔。","sm":"art/calligraphy/zixu-tie-480-7c6c32f15e.webp","sm1080":"/assets/glacierpost/art/calligraphy/zixu-tie-1080-cd0b698f83.webp","full":"/assets/glacierpost/art/calligraphy/zixu-tie-1920-ee8ff4dcff.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · CC0","page":"https://commons.wikimedia.org/wiki/File:%E5%94%90%E6%87%B7%E7%B4%A0%E8%87%AA%E6%95%98%E5%B8%96_%E5%8D%B7.png","scroll":"/assets/glacierpost/art/calligraphy/zixu-tie-scroll-327-254b0bb4ad.webp","scrollH":327,"scrollW":15960},{"id":"kuaixue-tie","region":"cn","zh":"快雪时晴帖","en":"Timely Clearing After Snowfall","artist":"王羲之（唐摹本）","life":"303–361","date":"唐摹本","script":"行书","med":"纸本墨书 · 行书","dim":"23 × 14.8 厘米","coll":"台北故宫博物院","inv":"故書000141","text":"羲之顿首：快雪时晴，佳。想安善。未果为结，力不次。王羲之顿首。山阴张侯。","read":"Xīzhī dùnshǒu: kuài xuě shí qíng, jiā. Xiǎng ān shàn. Wèi guǒ wéi jié, lì bù cì. Wáng Xīzhī dùnshǒu. Shānyīn Zhāng hóu.","gloss":"一场快雪过后天晴了，真好。想来你也安好。事情还没办成，心里挂念，就写到这里。","why":"乾隆把它列为「三希」之首，四行二十八字，历代帝王和藏家在它前后题满了跋。","echo":"一封报平安的短信流传了一千六百年：好消息不需要长篇。","sm":"art/calligraphy/kuaixue-tie-480-81b63652a6.webp","sm1080":"/assets/glacierpost/art/calligraphy/kuaixue-tie-1080-96ee761466.webp","full":"/assets/glacierpost/art/calligraphy/kuaixue-tie-1920-385a8b17d5.webp","credit":"National Palace Museum, Taipei / Wikimedia Commons · CC0","page":"https://commons.wikimedia.org/wiki/File:%E6%99%89%E7%8E%8B%E7%BE%B2%E4%B9%8B%E5%BF%AB%E9%9B%AA%E6%99%82%E6%99%B4%E5%B8%96.png"},{"id":"duobao-ta","region":"cn","zh":"多宝塔碑（清拓本）","en":"Duobao Pagoda Stele (Qing rubbing)","artist":"颜真卿 书","life":"709–785","date":"752 年刻石 · 清中晚期拓本","script":"楷书","med":"碑刻墨拓 · 楷书","dim":"见馆方页面","coll":"原碑：西安碑林博物馆；拓本：东京国立博物馆","inv":"TB-363","text":"大唐西京千福寺多宝佛塔感应碑文","read":"Dà Táng Xījīng Qiānfú Sì Duōbǎo Fótǎ Gǎnyìng 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.2","text":"良宽自作汉诗，写满六扇屏风。","read":"りょうかん","gloss":"江户后期禅僧良宽的汉诗书作，字形疏朗、线条极细，被视为日本近世书法的高峰之一。","why":"一位托钵僧在乡间写下的诗，后来成了日本人心中最自在的书法。","echo":"不追热闹，只把一件事写到通透：慢下来的人，常常走得更远。","sm":"art/calligraphy/ryokan-screens-480-8418bfbd40.webp","sm1080":"/assets/glacierpost/art/calligraphy/ryokan-screens-1080-93e923443f.webp","full":"/assets/glacierpost/art/calligraphy/ryokan-screens-1920-10ecbe5d32.webp","credit":"The Metropolitan Museum of Art, New York · Public Domain (The Met Open Access, CC0)","page":"https://www.metmuseum.org/art/collection/search/897129"},{"id":"sehando","region":"kr","zh":"岁寒图","en":"Sehando (Winter Scene)","artist":"金正喜（秋史）","life":"1786–1856","date":"1844","script":"题跋 · 隶书与行书","med":"纸本水墨 · 画与题跋","dim":"画心 23 × 69.2 厘米","coll":"国立中央博物馆 · 首尔（韩国国宝）","inv":"","text":"歲寒然後知松柏之後凋也","read":"세한연후지송백지후조야 (sehan yeonhu ji songbaek ji hujo 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